Stereoverse’s second book The Vertigo Tour
is now available.

The Vertigo Tour

54 pages, perfect-bound, 4 x 6 in. ($14). Digitally printed in an edition of 75.

Also available at Printed Matter.

In stock

A meditation on memory, possession, grief and red wallpaper. Can you revisit a place that never existed?

The Vertigo Tour follows Jimmy Stewart as he trails Kim Novak through the streets of San Francisco in Hitchcock’s famous film. Featuring simple snapshots of the movie’s locations, this poem-essay attempts to peek behind the scenes of Hitchcock’s elaborate recreations—only to find a city that continually slips out of view just as it comes into focus. The Vertigo Tour pursues the film’s “endless, telescoping deferrals,” marking how histories are constantly created, buried, dug up and buried again.

Each book comes with one of four postcards documenting the history of the hotel featured in the film, its shifting identity presenting a time-lapse account of a changing San Francisco.

“The ultimate McGuffin.”
     —Alfred Hitchcock

Emily Blair lives in Brooklyn. Her poetry has appeared in Sixth Finch, Iowa Review, New Ohio Review, Gulf Coast, the Journal, Copper Nickel and the Brooklyn Poets Anthology, among other places. She has published two chapbooks: The Nature of Hairwork (Dancing Girl) and Idaville (Booklyn). She has received New York Foundation for the Arts Fellowships in Poetry and Fiction, and her work in artists’ books and comics has also been supported by Center for Book Arts and The Xeric Foundation.

The print edition of our first book
Versioning Sappho Versioning
is sold out, but the PDF is still available.

Versioning Sappho Versioning

52 pages, perfect-bound, 8.75 x 5.75 in. with a letterpress cover, and poster inside ($16)
Also available as a downloadable PDF ($5)

The print version of this book is sold out. Sign up for our newsletter to stay up to date on future printings.

Versioning Sappho Versioning is a collaboration with Sappho’s twenty-two-word poem, Fragment 86. Through poems, prose and images, Sarah Passino wrings out questions about subjects and empire from this old bit of language. The books asks how to name the bodies our bodies are inside, how the lyric might be used to listen as well as to sing. If the work of poetry is to refuse the trivialization of life everywhere around us, to find the blur at the heart of hierarchies and tip them toward freedom, this collection keeps pressing toward resilience and asking what new possibilities can be made.

“Loss of many kinds haunts Passino’s beautiful, subtly afflicted word compositions, lively as fireflies in a dark meadow. Sappho’s irremediable fragmentation has put her everywhere and nowhere. Passino infuses the power of that material contradiction into a three-part invention — a seriously, gently playful vortex of “versionings.” Apt word for what all translation actually is.”     —Joan Retallack

Sarah Passino has work in or forthcoming in The Brooklyn Rail, DIAGRAM, Berkeley Poetry Review, Washington Square Review, Poetry Daily, Boston Review’s What Nature, Wendy’s Subway’s Capital and Ritual, Company Gallery and elsewhere. Her writing has been supported by fellowships from the Milton Avery Graduate School of the Arts, Rona Jaffe Foundation, Poet’s House, The Center for Book Arts, and by the 92nd Street Y’s Rachel Wetzsteon Poetry Prize.

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